Aegina Athena Aphaia Temple

Location: Agia Marina

The Temple of Athena Aphaia in Aegina: The Temple of Aphaia has been dedicated to goddess Athena and is located on the island of Aegina, on top of a hill. This is one of the ancient architectural wonders of ancient Greece. It was built in 480 BC and 25 of the original 32 Doric columns still stand due to the skill of the restorers. It is situated in a Sanctuary complex in Aegina about 13 km east of the main port.

The temple was built over the ruins of an earlier temple built around 570 BC that existed at the very site but was later destroyed in the fire in 510 BC. The remains of this old temple were filled to get a larger flat terrace on which to build a new temple. This led to the ruins of the old temple to be well preserved. Many painted remnants are still found.

The possibility of another temple built in the 7th century being located at this site is seen but all agree that this temple was very small and simple in terms of both plan and size. Many figurines belonging to the late Bronze Age have been excavated from this site especially female figurines showing that cult activity existed at this site from 14th century BC connected to a Minoan civilization.

The last temple has an unusual plan and is noted for their beautiful sculpture that shows remarkable progress from Archaic to Early Classical techniques. The sculptures are on display in Glyptothek of Munich and a large collection of fragments are located in the museums at Aegina on the site.

Historical evidence points to the fact the people of Aegina by the second millennium were already worshipping a deity at this site. By the end of the second millennium, the Dorians colonized Aegina and they continued the worship of the goddess. During the Greek period worship of Aphaea began. The legend has it that Aphaea escaped the clutches of sailors near the coast of Aegina and was seen going up till she vanished and hence the name Aphaea meaning vanish. Aphaea is said to be a mountain and a hunting goddess who protects shipping. Aegina was an important shipping area of the region.

The maritime prosperity of Aegina during the sixth and fifth century is the reason for the beautifully built Temple of Aphaia at Aegina. There were many theories regarding the temple of Aphaia. When initially discovered in the 18th century after years of oblivion and disuse, it was thought to be the temple of Zeus Panhellenius and was then attributed to Athena. Only later when a relic containing a relevant inscription was found, the temple was attributed to Aphaia.

The sanctuary here consists of many buildings, not just the temple. The temple lay at the center of the enclosing walls. A large altar with paved pathway and a ramp leading to the temple was found east of the temple. Four bases, two on either side of the ramp are seen. These were probably meant for statues. The altar was used to burn offerings. On either side of the alter are found foundations of two buildings which may have been open buildings to house more statues.

In the northern side is a cistern to collect rainwater from the roof of the temple. Near the cistern is found a large column with a sphinx on top. It was believed to have been built around 600 BC and the height of the column is about 14 meters. It is the only remains of the older sanctuary that existed there. The sanctuary was situated on a flat terrace. At the entrance towards the south was a columned gateway. The southeast building seems to have been used for administrative purposes.

The temple had 32 columns twelve on each side and six at the front and back. The columns on the sides incline inwards slightly (about 3/4 inches) to lend greater strength to the building. And the columns at the angles are about ¾ inches thicker than the others. Limestones found in Aegina were used to build the present temple and they were covered with a thin layer of stucco that was richly painted.

The upper parts of the temple are more colorful than the lower part. These are painted in bright shades with horizontal elements in red and vertical in black. Carved wooden plaques that were painted or embellished with bronze relief may have filled the metopes on the frieze. The upper surfaces of the horizontal cornice were usually painted in red representing earth and the background in cobalt blue to represent the sky. The temple constructed at the archaic period displays both archaic and classical styles.

The architecture of the temple is in the Doric style but the influence of Ionic architecture is prominently seen. It is said that the slender line of the columns lends a sense of soaring lightness which is a hallmark of Ionic architecture. Among the most remarkable and interesting features of the Temple of Aphaia are the three pediment groups of the temple. They consist of two east groups and one west group. One of the east group and the west group belongs to the same period and was created around 500 to 510 BC. The second east group shows it was made about 20 years later.

The pediments depict scenes of battles fought by Aeginetan heroes during the first and second wars against Troy. The goddess is seen in the center looking ahead in both east and west groups. Not much information is found on the various sculptures that were mounted in the buildings flanking the sacrificial altar. Set up on the east side of the temple are two groups of sculptures, a few statues simply called the warrior groups and sculpted most probably by the west pediment master sculptor.

The statue of the deity Aphaia is believed to have been erected at a position less than central; a stone base found in the northwest corner in the cella may have held a wooden statue of Aphaia. In the center of the same cella presumably stood another statue of the goddess which was set on a base and surrounded by a wooden railing.